唐忠汉设计 * 会所空间 · 郑州天宝府 · 叶松*梁振兴 | 風·雅·頌-金水之境

「序」

当快餐文化裹挟众生，在流量轰鸣中，仍有这样一群执灯者：他们俯身于时光的褶皱里，将浮躁锻造成精钢，把喧嚣熔铸为琉璃。任凭窗外霓虹闪烁，独守工作台这方微光宇宙。匠心如弦，终将在时代的噪音中震颤出永恒的和鸣。

風・雅・頌

鄭州天寶府

近境制作

東方語境下，郑州天宝府並非對宋風的複製，而是在歷史文脈中尋找當代表達方式。從大堂到地下層，從屋脊語彙到榫卯細節，文化不作為符號被陳列，而是在空間秩序中自然生長。「雅颂东方」不是回望，而是將東方精神重新安放於當代的設計實踐。

Within an Oriental context, Zhengzhou Tianbao Mansion is not a reproduction of Song style, but a search for contemporary expression rooted in historical context. From the lobby to the basement, from the roof ridge vocabulary to mortise-and-tenon details, culture is not displayed as a symbol, but grows naturally within spatial order. "Ode to the Orient" is not a look back, but a design practice that repositions the Oriental spirit in modern times.

步入大堂，夾絹穹頂高懸於上，形態靈感源自宋式建築屋脊。以現代結構語彙重新演繹傳統建築的中正比例，使空間在挺拔中保有柔和。夾絹玻璃不僅承載光線，也成為敘事介面。燈光模擬自然晝夜變化，亦可投影宋人雅集生活畫卷，使空間成為時間流動的載體。

Entering the lobby, a silk-laminated dome hangs overhead, inspired by the roof ridges of Song-style architecture. Modern structural language reinterprets the balanced proportions of traditional architecture, allowing the space to remain gentle while being upright. Silk-laminated glass not only carries light, but also becomes a narrative interface. Lighting simulates natural day and night changes and can project scenes of elegant Song-era gatherings, making the space a carrier of time flow.

正廳提取《千里江山图》的高遠意境。光線透過紗絹，折射出柔和暈染，如晨曦落山巒，暮色覆江河。地面仿古青磚石與牆面淺浮雕木質肌理，共同構築沉靜而克制的文化場域，沉入東方時序之中。

The main hall captures the vast artistic conception of A Thousand Li of Rivers and Mountains. Light filters through silk gauze, casting soft, diffused glow like morning light over mountains and twilight over rivers. Antique-style gray brick flooring and shallow relief wood textures on walls together create a calm and restrained cultural field, immersing visitors in Oriental rhythm.

中國古代建築中的「支摘窗」，既是構件，也是風景。接待區以可開合翻窗為設計原型，深色木質還原宋式建築的古樸質感，金屬線條勾勒邊界，使傳統語彙在現代語境中獲得新的秩序。

The "removable window" in ancient Chinese architecture is both a structural element and a landscape. The reception area takes operable casement windows as its design prototype; dark wood restores the rustic texture of Song-style architecture, while metal lines define boundaries, granting traditional vocabulary a new order in a modern context.

當窗被支起，是迎賓；當窗被摘下，是畫境。

When the window is opened, it welcomes guests; when closed, it frames a poetic scene.

臨水而設的涼亭結構，取意飛檐翹角的輕盈姿態。金屬構件沿用宋式圍欄榫卯邏輯，與藝術夾絹玻璃相連，形成視線的過渡與緩衝。玻璃幕牆引入外部景觀，使庭院水景滲透入室。動態投影呈現文人品茶論道、焚香撫琴的場景，空間因此獲得時間維度。人在其間交流，景在其外流動，室內外界限逐漸模糊。

The waterside pavilion structure inherits the lightness of upturned Song-style eaves. Metal components follow the mortise-and-tenon logic of Song railings, connecting with artistic silk-laminated glass to create visual transition and buffer. Glass curtain walls bring in exterior views, allowing courtyard water landscapes to permeate indoors. Dynamic projections depict literati gathering for tea, discussions, incense, and guqin, endowing the space with a temporal dimension. People converse within, scenery flows outside, and the boundary between interior and exterior gradually blurs.

盤旋於水面之上的旋轉樓梯，如絲帶般連接上下空間。鋼結構與玻璃材質形成輕盈對比，底部霧森系統營造雲霧氤氳的視覺體驗。拾級而下，水景在腳下延展，光影流轉之間，空間由實入虛，空間過渡，也是儀式。

The spiral staircase hovering over the water connects upper and lower spaces like a ribbon. Steel structure and glass create a light contrast, while a fog system at the base evokes a misty, cloud-like visual experience. Descending the steps, water scenery unfolds beneath feet; as light and shadow shift, the space moves from solid to void, and spatial transition becomes a ritual.

重屏疊嶂 秩序展開

Layered Screens, Unfolding Order

洽談區借鑑宋式建築的圍合理念，以木質格柵與圍欄界定空間。夾絹玻璃裝置於頂部形成柔光天幕，庭院水景滲透入室，使人仿若置身山水之間，文化成為背景，交流回歸平靜。

The negotiation area draws on the enclosed concept of Song-style architecture, using wooden grilles and railings to define space. Silk-laminated glass at the ceiling forms a soft light canopy, and courtyard water scenery permeates indoors, making one feel as if among mountains and rivers. Culture becomes the background, and communication returns to calm.

米白色硬包與松樹意象結合，在對稱秩序中呈現自然氣息。空間以東方哲學的氣韻為底，融合現代主義對功能與形式的理解，營造寧靜、克制而舒展的休憩氛圍。

Off-white hard cladding is combined with pine imagery, presenting natural vitality within symmetrical order. Grounded in the rhythm of Oriental philosophy and integrated with modernist understanding of function and form, the space creates a tranquil, restrained, and relaxed resting atmosphere.

沙盤區以對稱絹布屏風構築前景。鄭州文化符號被解構重組，形成虛實交錯的空間節奏。天花延續宋式屋脊語彙，流線木紋線條向牆面延伸，形成連續視覺張力，使沙盤不再孤立，而成為整體敘事的一部分。

The sand table area features symmetrical silk screens as the foreground. Cultural symbols of Zhengzhou are deconstructed and recombined, forming a spatial rhythm of interlaced void and solid. The ceiling continues the Song roof ridge vocabulary, with streamlined wood grain lines extending to the walls, creating continuous visual tension so that the sand table is no longer isolated but part of the overall narrative.

水吧背景牆取意支摘窗，以金屬框架與木格柵重構傳統窗棂圖案。吧台以木紋榫卯結構成型，起伏的肌理如雕塑般存在。傳統構造技藝在當代語境下被重新理解，既是功能設備，也是文化象徵。

The water bar backdrop draws inspiration from removable windows, reconstructing traditional lattice patterns with metal frames and wooden grilles. The bar is formed with wood-grain mortise-and-tenon structure, its undulating texture resembling sculpture. Traditional craftsmanship is reinterpreted in a contemporary context, serving as both functional equipment and cultural symbol.

過渡空間承接中庭語彙，以對稱軸線建立場域穩定性。汀步形成節奏，下沉深色石材折射光線，地面如水紋流動，為後續空間奠定氣韻基調。

The transition space inherits the atrium vocabulary, establishing spatial stability through a symmetrical axis. Stepping stones create rhythm, recessed dark stone refracts light, and the floor flows like water ripples, setting an atmospheric tone for subsequent spaces.

宋山水講究留白與層次，將邏輯轉化為空間的遞進關係。

Song landscape painting emphasizes blank space and layers, whose logic is transformed into progressive spatial relationships.

泳池空間並未強調功能屬性，而是以“遊園”為母題。《清明上河圖》通過紗絹形式映入水面，圖像與水波共同生成動態景觀。斜挑屋頂形成層次遞進，石材與木質在冷暖之間建立平衡。健身區並未選擇強烈的工業感表達，而是以木質為主材，建立溫潤底色。結構清晰、尺度克制，空間在力量與節制之間保持平衡。

The pool space does not emphasize function, but takes "garden wandering" as its theme. Along the River During the Qingming Festival is projected onto the water through silk gauze, with images and ripples together forming a dynamic landscape. Cantilevered roofs create layered progression, and stone and wood balance warm and cold tones. The fitness area avoids strong industrial expression, using wood as the main material for a gentle foundation. With clear structure and restrained scale, the space maintains balance between strength and moderation.

透過不同材質介面的組織完成場域轉換。素雅屏風以陣列方式介入空間，形成連續而克制的圍合關係。界面並非封閉，而是在虛實之間建立層層遞進的縱深。深色石材承托空間重心，半透界面削弱實體邊界。光線在屏風之間被分解、過濾、再釋放，呈現穩定而內斂的張力。

Spatial transformation is achieved through the organization of diverse material interfaces. Simple screens are arrayed into the space, forming a continuous and restrained enclosure. The interfaces are not closed, but create layered depth between void and solid. Dark stone anchors the space, while semi-transparent surfaces soften physical boundaries. Light is filtered, diffused, and released between screens, presenting steady and restrained tension.

VIP室設計重點在於層級與尺度，頂面高度與照明佈局形成穩定的視覺重心。光源集中於桌面與交流範圍，周邊維持低照度，使空間邊界自然退後，形成清晰的核心區域。茶室背景屏風以《松林圖》為圖像來源，水墨作為低對比的灰階背景存在，使牆面成為具有深度的界面，卷軸式壁面結構與幕牆屏風形成前後層次，界面之間保持適度距離，使空間產生可閱讀的縱深關係。

The VIP room focuses on hierarchy and scale, with ceiling height and lighting layout forming a stable visual focus. Light concentrates on the table and communication area, while the periphery remains dim, allowing spatial boundaries to recede naturally and form a clear core zone. The tea room backdrop screen is derived from Pine Forest Scroll, with ink wash as a low-contrast gray background, turning the wall into a deep interface. The scroll-style wall structure and curtain wall screens create foreground and background layers, with proper distance between interfaces to produce readable spatial depth.

以宋代美學中的理性精神與節制邏輯為參照，天宝府提取其中關於比例、秩序與氣度的核心方法，轉化為當代空間語言。在金水這樣具有城市密度與歷史縱深的場域中，山水不再作為圖像存在，而被拆解為結構關係與界面層次；所謂氣韻，也不再停留於意象，更落實於尺度與動線之中。

Taking the rational spirit and restrained logic of Song aesthetics as a reference, Tianbao Mansion extracts core principles of proportion, order, and grace, translating them into contemporary spatial language. In a place like Jinshui with urban density and historical depth, landscapes are no longer mere images, but decomposed into structural relationships and interfacial layers. The so-called artistic charm no longer remains abstract, but is embodied in scale and circulation.

文章来自平台：安德马丁

 ABOUT PROJECT  

Produced：瀚墨视觉

Photographer：叶松

Photoassistant：祝雯琪

Retoucher：叶松

Photography：梁振兴

Video clip：梁振兴

Director of Design | 设计总监：唐忠汉

Project address | 项目地址：中国 郑州

Wechat：13375810464

瀚墨（杭州）摄影有限公司

照片组组长，视频组独立组长（合伙人）

2022中国十佳空间摄像师

从业7年、空间摄影7年

擅长光影把控，创意构思，模特编排，氛围营造

「 公司」

瀚墨视觉成立于2011年，早期以产品，服装，家纺等摄影为主，于2017年全线主攻空间摄影，目前涉及板块有，空间照片、空间视频，摄影培训、自媒体运营、文案撰写等。业务涉及，家装、地产、酒店、民宿、餐饮、工装等。

Hanmo Vision was founded in 2011, initially focusing on product, clothing, home textiles, and other photogrphy. In 2017, it fully focused on spatial photography and currently covers various areas such as spatial photography, spatial video, photography training, self media operations, and copywriting.. The business involves home decoration, real estate, hotels, homestays, catering, workwear, etc.

「 团队」

团队一直维持在30人左右，也是目前国内人员规模最大的空间摄影机构之一，10年工龄以上小伙伴3人，5年以上7人，3年以上8人，也是同行业人员最稳定的摄影机构之一，团队拥有摄影分组6组，摄影师14名，摄影助理若干。

The team has been maintained at around 30 people, making it one of the largest spatial photography institutions in China. There are 3 colleagues with over 10 years of experience, 7 with over 5 years of experience,and 8 with over 3 years of experience. It is also one of the most stable photography institutions in the same idustry. The team has 6 photography groups, 14 photographers, and several photography assistants.

「 团建」

团队定期组织小伙伴进行“团建”活动，但我们从来不组织所谓增强团队凝聚力的团建，就是纯玩，让平时超强的工作节奏得以放松调节，同时工龄满5年以上的小伙伴还能享受每年一次的出国游。

The team regularly organizes "team building" activities for its members, but we never organize so-called team building activities to enhance team cohesion. It's just pure play, allowing the super strong work pace to relax and adjust. At the same time, members who have worked for more than 5 years can also enjoy an annual overseas trip.

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TEL:13375810464 （瀚墨视觉AE）

Wechat：13375810464（瀚墨视觉AE）

ADD：杭州市西湖区留和路139号（东信和创园）32幢2楼

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